Box 2
Contains 11 Results:
Les Guitares Bien Temperées. 24 Préludes et Fugues pour 2 Guitares, Troisième Cahier, Op. 199. Rossi p. 37. Notes: inscription to Nick Rossi, 15-21 June, 1966 (?). Accession no.: CTS-11, 1966
The collection houses libretti, correspondence, articles about Mario Castelnuovo-Tedesco, photographs of and theses about Mario Castelnuovo-Tedesco, an unpublished autobiography ("Una vita di musica"), writings by Castelnuovo-Tedesco, some published music, rare recordings, and many ozalid copies of autograph scores, often with personal inscriptions by the composer.
Les Guitares Bien Temperées. 24 Préludes et Fugues pour 2 Guitares, Quatrième Cahier, Op. 199. Dedicated to Ida Presti and Alexandre Lagoya. 50 pp. 31 May 1962. Rossi p. 37. Accession no.:CTS-12, 1962
The collection houses libretti, correspondence, articles about Mario Castelnuovo-Tedesco, photographs of and theses about Mario Castelnuovo-Tedesco, an unpublished autobiography ("Una vita di musica"), writings by Castelnuovo-Tedesco, some published music, rare recordings, and many ozalid copies of autograph scores, often with personal inscriptions by the composer.
Les Guitares Bien Temperées. 24 Préludes et Fugues pour 2 Guitares, Quatrième Cahier, Op. 199. Rossi p. 37. Notes: inscription to Nick Rossi, 22-28 June 1964. Accession no.: CTS-13, 1964
The collection houses libretti, correspondence, articles about Mario Castelnuovo-Tedesco, photographs of and theses about Mario Castelnuovo-Tedesco, an unpublished autobiography ("Una vita di musica"), writings by Castelnuovo-Tedesco, some published music, rare recordings, and many ozalid copies of autograph scores, often with personal inscriptions by the composer.
Platero y Yo (Platero and I) para Narrador Y Guitarra - Narrator and Guitar, Segunda Serie - Second Series, Op. 190-A. Spanish text by Juan Ramón Jiménes (1881-1958)/English Translation by Eloise Roach. Dedicated to Aldo Bruzzichelli. 30 pp. 10 July 1960. Rossi p. 32. Notes: includes parallel Spanish- English text. On Aldo Bruzzichelli see the letter of 1 June 1964 from C-T to Nick Rossi. Accession no.: CTS-14, 1960
The collection houses libretti, correspondence, articles about Mario Castelnuovo-Tedesco, photographs of and theses about Mario Castelnuovo-Tedesco, an unpublished autobiography ("Una vita di musica"), writings by Castelnuovo-Tedesco, some published music, rare recordings, and many ozalid copies of autograph scores, often with personal inscriptions by the composer.
Platero y Yo (Platero and I) para Narrador Y Guitarra - Narrator and Guitar, Serie Tercere - Third Series, Op. 190-B. Text (Sp.): Juan Ramón Jiménes (1881- 1958)/English Translation by Eloise Roach. Dedicated to Aldo Burzzichelli. 36 pp. 18 July 1960. Rossi p. 32. Notes: includes parallel Spanish-English text. Accession no.: CTS-15, 1960
The collection houses libretti, correspondence, articles about Mario Castelnuovo-Tedesco, photographs of and theses about Mario Castelnuovo-Tedesco, an unpublished autobiography ("Una vita di musica"), writings by Castelnuovo-Tedesco, some published music, rare recordings, and many ozalid copies of autograph scores, often with personal inscriptions by the composer.
Platero y Yo (Platero and I) para Narrador Y Guitarra - Narrator and Guitar, Serie Cuarta - Fourth Series, Op. 190-C. Spanish text by Juan Ramón Jiménes (1881- 1958)/English Translation by Eloise Roach. Dedicated to Aldo Bruzzichelli. 39 pp. 21 July 1960. Rossi p. 32. Notes: includes parallel Spanish-English text. Accession no.: CTS-16, 1960
The collection houses libretti, correspondence, articles about Mario Castelnuovo-Tedesco, photographs of and theses about Mario Castelnuovo-Tedesco, an unpublished autobiography ("Una vita di musica"), writings by Castelnuovo-Tedesco, some published music, rare recordings, and many ozalid copies of autograph scores, often with personal inscriptions by the composer.
Sonatina Canonica pour deux Guitares, Op. 196. Dedicated to Ida Presti and Alexandre Lagoya. 22 pp. 22 July 1961. Rossi p. 38. Accession no.: CTS-17, 1961
The collection houses libretti, correspondence, articles about Mario Castelnuovo-Tedesco, photographs of and theses about Mario Castelnuovo-Tedesco, an unpublished autobiography ("Una vita di musica"), writings by Castelnuovo-Tedesco, some published music, rare recordings, and many ozalid copies of autograph scores, often with personal inscriptions by the composer.
Tre Preludi al Circeo per Chitarra, Op. 194. 11 pp. 20 January 1961. Rossi p. 34. Accession no.: CTS-18, 1961
The collection houses libretti, correspondence, articles about Mario Castelnuovo-Tedesco, photographs of and theses about Mario Castelnuovo-Tedesco, an unpublished autobiography ("Una vita di musica"), writings by Castelnuovo-Tedesco, some published music, rare recordings, and many ozalid copies of autograph scores, often with personal inscriptions by the composer.
Vogelweide. Ein Lieder-Cyklus für Bariton und Gitarre (oder Klavier), Op. 186. German Lieder by Walther von der Vogelweide. Dedicated to Dietrich Fischer- Dieskau and Siegfried Behrend. 54 pp. 18 January 1959. Rossi p. 105. Notes: two inscriptions to Robin Escovado, 25 January 1959 and 8 February 1959. Accession no.: CTS-19, 1959
The collection houses libretti, correspondence, articles about Mario Castelnuovo-Tedesco, photographs of and theses about Mario Castelnuovo-Tedesco, an unpublished autobiography ("Una vita di musica"), writings by Castelnuovo-Tedesco, some published music, rare recordings, and many ozalid copies of autograph scores, often with personal inscriptions by the composer.
All's Well That Ends Well ("Giglietta di Narbona"), Op. 182. [Overture only.] 14 pp. 1958. Rossi p. 1. Notes: inscription to Robin Escovado. Cover label mistakenly reads: "Introduction to the 1st Act of "As You Like It" (a theme for Robin)" (Op. 166, Rossi p. 12). Full score. Unpublished. Accession no.: CTS-20, 1950
The collection houses libretti, correspondence, articles about Mario Castelnuovo-Tedesco, photographs of and theses about Mario Castelnuovo-Tedesco, an unpublished autobiography ("Una vita di musica"), writings by Castelnuovo-Tedesco, some published music, rare recordings, and many ozalid copies of autograph scores, often with personal inscriptions by the composer.