Box 5
Contains 6 Results:
The Importance of Being Earnest (L'Importanza di Esser Franco), Act II. Rossi p. 2. Notes: vocal score, blue cover. Lightly penciled "Bambi" on cover (see CTS-29). Some cuts marked. Same hand on cover label as CTS-28 & CTS-29. Unpublished. Accession no.: CTS-30, no date
The collection houses libretti, correspondence, articles about Mario Castelnuovo-Tedesco, photographs of and theses about Mario Castelnuovo-Tedesco, an unpublished autobiography ("Una vita di musica"), writings by Castelnuovo-Tedesco, some published music, rare recordings, and many ozalid copies of autograph scores, often with personal inscriptions by the composer.
The Importance of Being Earnest, Act III. 83 pp. 20 January-28 February 1962. Rossi p. 2. Notes: vocal score. This copy was used by the Lady Bracknell for an English-language performance. Same hand on cover label as CTS 28-30. Unpublished. Accession no.: CTS-31, 1962
The collection houses libretti, correspondence, articles about Mario Castelnuovo-Tedesco, photographs of and theses about Mario Castelnuovo-Tedesco, an unpublished autobiography ("Una vita di musica"), writings by Castelnuovo-Tedesco, some published music, rare recordings, and many ozalid copies of autograph scores, often with personal inscriptions by the composer.
The Importance of Being Earnest, Act III. Rossi p. 2. Notes: vocal score, no markings, cover in C-T's hand, green cover with lightly penciled "Bambi" (see also CTS 29 & 30). Unpublished. Accession no.: CTS-32, no date
The collection houses libretti, correspondence, articles about Mario Castelnuovo-Tedesco, photographs of and theses about Mario Castelnuovo-Tedesco, an unpublished autobiography ("Una vita di musica"), writings by Castelnuovo-Tedesco, some published music, rare recordings, and many ozalid copies of autograph scores, often with personal inscriptions by the composer.
The Importance of Being Earnest, [Overture and Act I.] Rossi p. 2. Notes: vocal score. Contains cuts marked in blue ink by C-T (pp. 34, 51, 68) after production of the ozalid. CT has also added (previously omitted) Italian translations of the English in some passages (pp. 53, 55, 56, 65, 70). There are penciled stage directions in English (not in C-T's hand). Unpublished. Accession no.: CTS-33, no date
The collection houses libretti, correspondence, articles about Mario Castelnuovo-Tedesco, photographs of and theses about Mario Castelnuovo-Tedesco, an unpublished autobiography ("Una vita di musica"), writings by Castelnuovo-Tedesco, some published music, rare recordings, and many ozalid copies of autograph scores, often with personal inscriptions by the composer.
The Importance of Being Earnest, Act II. Rossi p. 2. Notes: vocal score.C-T has added some items in blue ink, including cuts on p. 77 and on p. 82, a missing piano chord on p. 77, and a missing "CECILY" p. 118. There is some water damage to the pages. Unpublished. Accession no.: CTS-34, no date
The collection houses libretti, correspondence, articles about Mario Castelnuovo-Tedesco, photographs of and theses about Mario Castelnuovo-Tedesco, an unpublished autobiography ("Una vita di musica"), writings by Castelnuovo-Tedesco, some published music, rare recordings, and many ozalid copies of autograph scores, often with personal inscriptions by the composer.
The Importance of Being Earnest, Act II. Rossi p. 2. Notes: vocal score. Cuts marked in Italian. Piano chord added by C-T in blue-black ink p. 77, together with cut indication at bottom of page. Italian text has been added by C-T (blue-black ink) pp. 19, 20, 30, 109, cut indications on p. 72, 77, 82, as well as others (in Italian) not in C-T's hand.. Green cover. Unpublished. Accession no.: CTS-35, no date
The collection houses libretti, correspondence, articles about Mario Castelnuovo-Tedesco, photographs of and theses about Mario Castelnuovo-Tedesco, an unpublished autobiography ("Una vita di musica"), writings by Castelnuovo-Tedesco, some published music, rare recordings, and many ozalid copies of autograph scores, often with personal inscriptions by the composer.